mixed media
60x60x8cm
photo Carole Parodi
A series of three-dimensional collages, which are at the same time archives of past work and evolution of large organic installations. Cecchini’s works explore large and open structures based on simple paper modules, steel, or composite material, designed by the artist and produced industrially, where every single element contributes to the creation of an “organism”. These cabinets constitute a sort of biological metaphor, the boundaries between scientific and aesthetic spheres, between mass production and poetic suspension.
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- Testo di Riccardo Caldura
- Test di Stefano Pezzato
- Cecchini progetta fossili
- Catalogue: Emotional diagrams and other micrologies
- Thomas W. Eller
- Marco Meneguzzo
- A dialogue on the structure and its absence and other things
- AERIAL BOUNDARIES text by Franziska Nori
- interview by Frederic Bonnet
- Testo di Marcello Carriero
- Perdere il reale per ridefinire il reale
- Intervista per ABC
- A lenticular dialogue
- Luca Cerizza
- Gianfranco Maraniello
- "Mind the Gap"
Hans Gercke - Tiri Cecchini e la porta dell’attimo
- Alessandra Pioselli
- Gianfranco Maraniello
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